‘I know I’m not a man . and I’ve arrive to the conclusion that I’m most likely not a woman, either . . . The trouble is normally, we’re surviving in a global that insists we end up being one or the additional.’ With these phrases, Kate Bornstein ushers listeners on the funny, fearless, and wonderfully scenic journey over the terrains of gender and identity. Using one level, Gender Outlaw details Bornstein’s change from heterosexual man to lesbian woman, from a one-time IBM salesperson to a playwright and efficiency artist. But this particular coming-of-age story is also a provocative analysis into our notions of male and feminine, from a self-described non-binary transfeminine diesel femme dyke who hardly ever stops questioning our ethnic assumptions.

Gender Outlaw was decades ahead of its period when it had been initial published in 1994. Today, some twenty-odd years afterwards, this publication stands as both a classic and a still-revolutionary work-one that is constantly on the push us lightly but profoundly to the furthest edges from the gender frontier.