Writer Jazz Vazquez examines the case from the aging professional who has the role of the washed-up psychoanalyst. Is normally Jennifer Melfi, the psychoanalyst for mafia employer Tony Soprano, only a bitter, sour former beauty, or does she herself become a psychopath? Lorraine Bracco’s acting reaches its worst as she plays the area of the sex-starved analyst who doesn’t provide any remnant of legitimate or productive evaluation for her customer.

Vazquez requires a go through the rape experienced by Melfi on The Sopranos. So how exactly does the portrayal of the middle-aged woman’s rape mirror society’s contempt for former beauties who age group into unfilled husks no longer worthy of sexual objectification?