The revered NY Instances bestselling author returns using a novel set in 1960s Baltimore that combines modern psychological insights with components of common noir, in regards to a middle-aged housewife turned aspiring reporter who pursues the murder of a forgotten young woman.

In 1966, Baltimore is a city of secrets that everyone appears to know-everyone, that’s, except Madeline “Maddie” Schwartz. This past year, she was a content, even pampered housewife. This season, she’s bolted from her marriage of nearly about Woman in the Lake: A Book twenty years, decided to make good on her fresh ambitions to live a passionate, meaningful life.

Maddie wants to matter, to keep her mark on the swiftly changing globe. Drawing on her personal secrets, she assists Baltimore police look for a murdered girl-assistance that leads to a job at the city’s afternoon newspaper, the Star. Working at the newspaper offers Maddie the chance to create her name, and she has found simply the story to accomplish it: a missing female whose body was uncovered in the fountain of a city park lake.

Cleo Sherwood was a African-American girl who liked to have a great time. No-one seems to understand or treatment why she was wiped out except Maddie-and the deceased girl herself. Maddie’s going to find the reality about Cleo’s lifestyle and loss of life. Cleo’s ghost, privy to Maddie’s poking and prying, really wants to be left alone.

Maddie’s investigation brings her into contact with people that used to be on the periphery of her life-a jewelery store clerk, a waitress, a growing star in the Baltimore Orioles, a patrol cop, a hardened woman reporter, a lonely man in a movie theater. But for all her ambition and drive, Maddie often fails to see the people correct before her. Her lack of ability to look beyond her personal needs will result in tragedy and turmoil for a variety of people-including the person who shares her bed, a dark officer who cares for Maddie more than she knows.