The Camp Waterlogg Chronicles 11: ‘Firesign Gets (Camp) Waterlogged’ Audiobook
The Camp Waterlogg Chronicles 11: ‘Firesign Gets (Camp) Waterlogged’ Audiobook
- Al Franken, Joe Bevilacqua, Shelley Berman, Lorie Kellogg, Kenny Savoy, David Ossman, Donnie Pitchford, Jim Folly, Tom Giannazzo, Others
- Blackstone Audiobooks
- 2015-05-12
- 5 h 58 min
Summary:
Firesign Theatre’s David Ossman (as George Tirebiter), comedy star Shelley Berman, and former SNL comedian Senator Al Franken join the cast from the Comedy-O-Rama Hour for another six misadventures of Sgt. Lefty, Ellis da Boatkeeper, Adam Maxwell, Andy, and Woody (all voiced by Joe Bev); Olive Pitts, Ellis, Mrs. Terwilliger, and Lkie (all voiced by Lorie Kellogg); Ron Drysdale and Jimmy (both voiced by Adam Folly); and Stinky Peter Moss (voiced by Kenny Savoy), aswell as the rest of the cabal on the subject of The Camp Waterlogg Chronicles 11: ‘Firesign Gets (Camp) Waterlogged’ of crazy Camp Waterlogg personas.
One of them established are ‘Camp Waterlogg Homeland Security Needs to Go-Go-Go!’; ‘A Happy Camp Waterlogg Father’s Day from Uncle Goopie’; ‘A Camp Waterlogg July 4th Fundraiser’; ‘Camp Waterlogg: Firesign Gets Waterlogged’; ‘The Camp Waterlogg Election Special’; and ‘Camp Waterlogg: Shelley Revisited, Component 1.’
The Comedy-O-Rama Hour is story- and character-driven improvisation that goes beyond sketch comedy to blossom into full-fledged radio theater. Recorded around husband-and-wife creative group Joe Bev and Lorie Kellogg’s Napanoch, New York, home in the woods, the series first shown on XM Radio in 2002. More than 120 shows and thirteen years afterwards, the series is definitely heard weekly on public r / c nationwide, streamed on the web at bearmanormedia.com, and podcast anytime all over the Internet, including on Waterlogg.com.
Joe Bev says, ‘We have already been doing most these personas for a lot more than 12 years now and some I have been voicing for a lot more than forty years. We no more have to compose what we want to state. The Comedy-O-Rama Hour has also developed from a scripted to a completely improvised hour of radio theatre.’