This book will show that the basics, structure, formations, grammar, and syntax are a similar in music and in the Egyptian alphabetical language. The publication will display the musical/tonal/tonic Egyptian alphabets-being produced from the three principal tonal seems/vowels ; the basics of generative phonology and the type of the four audio variation of each letter and its own specific equivalence in musical records; the generative character of both the musical triads and its own equivalence in the about The Musical Aspects of the Ancient Egyptian Vocalic Language Egyptian trilateral stem verbs ;utilization of alphabets as well as the vocalic notations for both text messages and musical tools performance; and much more. This reserve is split into 10 chapters. Chapter 1: Traditional Deception of the (Ancient) Egyptian Linguistics will obvious the intended misunderstandings to cover the alphabetical type of writing in Old Egypt-as being the SOURCE of most languages across the world. Chapter 2: The Seamless Vocabulary and/of Music addresses the unity of musical tones and Egyptian alphabet as well as the intimacy between vocabulary/speech/vocals and music in the Egyptian program. Chapter 3: The Individual Vocal Instrument covers the details from the human being vocal generating system and its own equivalence in musical tools. Section 4: The Three Major Tonal Sounds covers the three principal rhythmic shades and their equivalence in the Egyptian three quantal vowels/sounds. Chapter 5: The Musical/Tonal/Tonic Alphabet covers the letters from the Egyptian alphabet being derived from the three main tonal sounds/vowels as well as the utilization of alphabet for musical instruments tonal notations. Chapter 6: Duality of Words/Musical Tones shows the dual character of alphabetical characters and musical shades. Chapter 7: The “Atom” of Musical/Vocal Sounds covers the basics of generative phonology and the nature of the four audio variation of every letter; and its own specific equivalence in musical records. Chapter 8: The Musical Rhythmic Sound Segmentation covers the orderly audio segmentation in musical flow and its equivalence in syllables stream-in all variants of size, duration, stress, junctures, limitations, etc. Chapter 9: Harmonic/Rhythmic Term Formation/Morphology [Musical Triad] addresses the generative nature of both the musical triads and its equivalence in the Egyptian trilateral stem verbs. Chapter 10: Tonal/Musical Sentences & Their Types/Numerous Forms [Themes and their variations] covers the precise similarity between musical structural forms and sentence structures in sentence structure, syntax, semantics, features and forms, etc.